Musical Spotlight: Of Thee I Sing by George S. Kaufman, Morrie Ryskind, and Ira Gershwin (1932)
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The show satirizes American politics. The presidential candidate John P. Wintergreen chooses to campaign on a "love" platform. A pageant is run to determine his wife, but he opts for the "homely" woman. Eventually, the runner-up turns out to be the "illegitimate daughter of the illegitimate son of and illegitimate nephew of Napoleon." Wintergreen is threatened by this "reality." In the end, he must choose who he wants to support and be associated with. Listen to the album here.
Candid Reaction
Impeachment? Questionable campaigns? Pageantry? Hmmm. Sometimes I fool myself into thinking that satire is a new thing popularized by The Colbert Report and The Daily Show, but shows like this remind me that American satire has existed forever.
Top Two Aspects/Reasons for Winning
- The blatant satire of the show examines the value Americans place on both international affairs and domestic interest.
- The second act's spiraling satire with the introduction of Diana pushes the play over the edge--the shows extends from mere satire to an indictment on the absurdity of American politics. Listen to the breakdown here.
Classroom Implications
It would be interesting to find a script of this musical to study satire and character development. Given the current political environment, it could be interesting to compare/contrast the attitude of the real-life American public and the depiction of the public in the musical. The show would be great for noting the difference between tone and mood.
Personal Takeaway
Pulitzer Prize winners must have ongoing cultural relevancy.
Ranking
[To be determined once I make up the rubric!]
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